Friday, February 21, 2014



FROM MISHKAN TO MIKDASH

Sidrah:  Exodus 35:1-38:7
Haftarah:  I Kings 7:40-50

                This week’s Haftarah gives a detailed account of the sacred furniture and ornamentation of the Beit Ha-Mikdash as commissioned by King Solomon to be made in gold, as well as cast in copper or possibly bronze (1) by an artisan named Hiram.  The artisan’s name appears twice in the verse, once spelled “Chirom” in Hebrew and once spelled “Chiram.”  The Book of Chronicles (2) contains its own account of the treaty between Solomon and the king of Tyre and the building of the Beit Ha-Mikdash; in his commentary on that book, the Malbim argues that “Chirom” knew how to work in gold and burnished bronze; and “Chiram,” who worked in copper, was his son.
                The Malbim further explains that King Solomon made (or more likely commissioned the making of) ten golden menorot and arranged them parallel to the southern wall, five to the right of Moshe’s original menorah and five to its left.  He similarly ordered ten golden tables for the lechem ha-panim or “showbread,” arranging them in the same fashion along with the original table from the Mishkan or sanctuary made in the wilderness, parallel to the northern wall.
For the full story of the two great pillars and the elaborate capitals that topped them, we must turn to the Sephardic Haftarah for this week, (3) which tells us that they stood in front of the entrance to the Beit ha-Mikdash.  The Prophet Jeremiah (52:21) reveals the interesting detail that they were hollow, which would certainly be reasonable, since they were cast lying down, and even hollow it would require tremendous manpower to stand them upright. Each of the pillars had a name:  Yachin for the one on the right side and Boaz for the one on the left.  The name Yachin means in Hebrew, “He will establish,” and Rabbi David Kimchi explains the name Boaz as a compound of the Hebrew words ”bo  oz”, meaning, “In it is strength.”  The Vilna Gaon cites references from the Tanakh and Kabbalah to associate these two names with pairs including the sun and moon; King David’s ancestors Zerach and Peretz; and, justice and mercy.  The construction of the original Mishkan and each instance of the Beit ha-Mikdash have filled and continue to fill us with spiritual, literary and artistic inspiration, along with a longing for the final Beit ha-Mikdash  which will stand until the end of time.
(1)    The Hebrew word nechoshet is variously translated as “copper,” “bronze,” and “brass.”  While brass did exist in ancient Israel, it was rare and expensive, so these huge objects must have been cast in copper or bronze. (C. P Thornton, “Of brass and bronze in prehistoric Southwest Asia,” pp. 189-201. See Wikipedia’s article on “Brass.”)
(2)    II Chronicles 3:15-17.
(3)    I Kings 7:13-26.